It was an ethereal evening yesterday to say the least. As my Facebook status reads: “Finally one item off my bucket list – “yesterday was an ethereal rendezvous with music at Chicago Symphony Orchestra and a heavy feeling of self limitation to understand the pain and intricacies of the chords when Yo Yo Ma and Esa Pekka Salonen seemed oblivious to the audience and played in their world!” it was indeed true!
We have been staying in Chicago for quite a few years and have always yearned to visit Chicago Symphony Orchestra but never been able to find the opportune moment. Now that our days are numbered in the land of Lincoln we looked through the calendars of the Chicago Symphony Orchestra calendar and were more than delighted to find Yo Yo Ma scheduled in a week’s time. The ticket prices had soared and only a few seats were peeking blue from the gray all over. We grabbed two of the best available consoling ourselves on the hefty price that we are going to listen to Yo Yo Ma and that too with our CSO ( read Chicago Symphony Orchestra) . What more can you want from life?
As the day approached we grew excited and yesterday was the day!
The halls opened about half an hour early to the start of the concert. The galleries looked ready for the melodies to flow through. We got a gift of a free CD ( by the charming girl whom I have been admiring for sometime) for making the web booking for the first time through the CSO website.I was more than pleased.
The stage which looked empty when we walked in, soon started to get filled up. The musicians trickled in without even us noticing them with their instruments and sat down and started playing and before it had turned 8 pm CST the whole stage was filled up. It was wonderful build up.
Then came the moment when Esa Pekka Salonen walked in and I fell in love with him that instant. His hair flying high throughout the concert and the magical wand in his hand with which he commanded the authority over the men and women playing powerful music had me.
It started with Sibelius‘s Pohjola’s Daughter, Op. 49 it was 12 minutes piece.
It was followed by Sibelius’s symphony No. 7, Op. 105 – it was a 22 minutes piece but too intricate and complex in each of its notes and tones.
But little did we know what was going to take place. After intermission Yo Yo Ma joined the stage. He was seated right beside Esa Pekka Salonen’s paltform.
Then it all started! The piece was Lutoslawski‘s Cello Concerto. Well to express the feeling will be a dangerous job for a novice like me. All I can say is it was more of a storm, a war of chords, and a triumph of music. I read up the booklet and sat as perplexed as ever. It was beyond comprehension but intricate and delicate to say the least of what I heard.
There was a raging applause at the end of piece.
As I sit recounting yesterday night’s memoirs and those goosebumps suddenly the review came up on my reads.
The evening ended with Tchaikovsky‘s Francesca da Rimini, Op 32.
We will carry on as we had in days to come but more indebted and more enriched.